thesourcecode.de bewertung und analyse

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Title The Source
Description Feedback Imprint Download map Madame Lines of Lineage The Non- Reconstruc­tion Constantly Moving This Beautiful Cultural Desert Bodenwieser Embodied Insid
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WebSite thesourcecode faviconthesourcecode.de
Host IP 217.160.223.76
Location Germany
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thesourcecode.de bewertung
Euro1,102
Zuletzt aktualisiert: 2022-11-16 17:22:07

thesourcecode.de hat Semrush globalen Rang von 33,607,747. thesourcecode.de hat einen geschätzten Wert von € 1,102, basierend auf seinen geschätzten Werbeeinnahmen. thesourcecode.de empfängt jeden Tag ungefähr 551 einzelne Besucher. Sein Webserver befindet sich in Germany mit der IP-Adresse 217.160.223.76. Laut SiteAdvisor ist thesourcecode.de sicher zu besuchen.

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Kauf-/Verkaufswert Euro€1,102
Tägliche Werbeeinnahmen Euro€23,693
Monatlicher Anzeigenumsatz Euro€8,265
Jährliche Werbeeinnahmen Euro€551
Tägliche eindeutige Besucher 551
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Host Type TTL Data
thesourcecode.de. A 3599 IP: 217.160.223.76
thesourcecode.de. NS 86400 NS Record: ns1072.ui-dns.com.
thesourcecode.de. NS 86400 NS Record: ns1072.ui-dns.biz.
thesourcecode.de. NS 86400 NS Record: ns1072.ui-dns.org.
thesourcecode.de. NS 86400 NS Record: ns1072.ui-dns.de.
thesourcecode.de. MX 3600 MX Record: 10 mx01.kundenserver.de.
thesourcecode.de. MX 3600 MX Record: 10 mx00.kundenserver.de.
HtmlToTextCheckTime:2022-11-16 17:22:07
Feedback Imprint Download map Madame Lines of Lineage The Non- Reconstruc­tion Constantly Moving This Beautiful Cultural Desert Bodenwieser Embodied Inside the Maze Expressive Communica­tion Refugee Alien Companion­ship History is the remembered tightrope that stretches across the abyss of all we have forgotten. (Albert Wendt: Black Rainbow ) The website www.thesourcecode.de documents the re-creation of Gertrud Bodenwieser’s last dance drama „Errand into the Maze“ from 1954. The choreogra­pher was one of Austria’s most prominent exponents of Ausdruckstanz. After Hitler’s annexation of Austria, the Jewish choreographer fled to Sydney. In exile, she re-launched her dance company and became the founding mother of Modern Dance in Australia. By interacting with former members of the Bodenwieser dance group, I tried not only to get the dance steps right, but also wanted to understand the emotional, intellectual and political disposition of the choreographer at the time she created the dance
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